Joe’s Collectanea

Furthermore, Joshua evaluates the symmetrical mechanism that is accustomed to the taxonomy of homo sapiens in the narrative sestina “Life” which provokes its reader through intimidation to think sharply. Another work distinct from the norm is the ode “Portrait of Her Lifestyle” which revamped the respect a typical feminist commands. In addition, works such as “Undies Evolution,” “Problem,” “The Jinn of Sahara,” “Tommy, My Watch,” and “The Stupor” individually tell a story which sets them as the solid narrative approach the writer confirms his work to be regardless of the poetic theme involved in the spatial formulation.

However, each poem was finely drafted, and the only exception is the inability of any theatre to convert these words of excellence to a play as it does not reflect a single story nor propose characters and scenes. Hence, the anthology is a paper mache of ponderous adventures, delving into uncertainty that spooks measure which weighs the mind of each reader as the pages are flipped, and stories are assimilated. Such as “My Body, My Mind” which brings about faith speaking for those who are religious I enjoy the writer was flexible enough to not associate the poem with a particular religion, rather Joshua was able to tell the story as it is being a believer and philosophers widely accept that every religion believes in God. I confirm the author is a radical, because the previous poem evaluated personal experiences and societal approach in the work “A Friend of Mine” which touches the cores of diversity—switching from talking about diversity into faith, followed by “Ramshackle emote” an exposition of distinct emotions in one topic, ooze’s discombobulations of how far and fast the mind can travel whilst multitasking in thoughts and ideas.

Acts like this are encouraged in the literal hemisphere as it outweighs having a particular concept one is known for, which shall soon make their works unintelligible and classed as universal. Compared to Joshua’s style in drafting literature as a work of art, and in an attempt to photograph his abilities as visual art, he would fly as a Basquiat because of his unpredictability. The Collectanea discusses pronounced controversial topics such as Love in the Work “Romance in Poetry,” and “Long Lost Love.” Another concern is Labourers affairs in “Danilo the Farmboy”, Religion in “A Surrendered Man,” Philosophy with “Composure,” “Flies of wilderness” and “Epiphany of life”, Global Warming with “Roots are before the log pt 2”, COVID-19 with “The Plague in our waves”, travel writing by depicting “Joe’s Collectanea from Ghana side.”

Another work that can be versed as a must-read when flipping pages before settling to read all these is “Ache of Waters” centered on evaluating struggles and being accustomed to them. In other references, the writer tells a story of colonialism in Africa and its neo-colonial practices that stench the effort of its settlers in the poem “Anarchiste Diplomatique”. With a mild interjection “Grass of our time” centers on cravings by collectors of nicotiana and how they are so attached to the strands regardless of the health risks associated with their perpetual practices. The few titles reviewed in this article are not conjunctional to the table of contents, they appeared according to my preference in reviewing Joe’s Collectanea. The author, Joshua Omeke, has shown talent in literature and displayed years of expertise. If permitted, I will propose he continuously releases much more of his archives.