This conversation occurred between Seun Olubameru and Ifeoma Igwe via text
Ifeoma Igwe is a lover and supporter of African literature. Her play was a finalist in the fourth annual Beeta Arts Playwriting Competition and her essay was also shortlisted for the second annual Vogue Business Talent Competition. She enjoys writing contemporary fiction and her debut novel, Away in Bliss will be published in January 2024. You can find her on Instagram @mylitcorner.
Seun: What is your debut novel about?
Ifeoma: Away in Bliss is the story of a lot of international students. Many times you leave for school
abroad as a wide-eyed teenager with big dreams. Then suddenly, you finish uni as an adult, and
the dreams that you planned don’t happen. What happens next? The book explores that with my
protagonist, who returned to Nigeria after she couldn’t find a job in London.
Seun: Why have you decided to self-publish?
Ifeoma: For many reasons. When I wrote this book three years ago, I automatically pursued traditional
publishing because all real authors had big names behind them. So for a long time, I tried to get a
literary agent and got a few leads, but none that ended with a signed contract of representation
which discouraged me. So I abandoned the book, but from time to time, I would always think
how nice it would be to have the story out there to encourage anyone who needs it. Eventually, I
had to redefine what being an author meant for me. I told myself it shouldn’t matter which route
I took because, after all, some of the most successful authors we know started off self-publishing.
Besides, I’m quite entrepreneurial and publishing, at the end of the day, is a business. And I have
some business experience that I feel like I can apply to help me reach my goals. I’ve done my
research, and I’m spending the money to improve my product—the book—which includes
getting it professionally edited and hiring a professional cover artist. I’m investing a lot into
making it good enough to put out, and I’m really enjoying the process. I’m not enjoying how
much I’m spending sha, but hopefully, it pays off.
Seun: Why did you think you were the right person to write this story and who is the book for?
Ifeoma: When I wrote the first draft, I was in my final year of uni, about to start exams even. But I wasn’t
done being a student because I knew I was going to do a master’s immediately. Anyway, I
thought I was the right person to write it because I was at the age when I started to ask myself
what I wanted to do with my life, and I had no idea. It was funny because when I started a level,
I thought I was going to be an economist or something because I enjoyed the subject. And then I
finished uni, and every job I had was in a different sector and role. Imagine that kind of confused
life. The reality of that is what I wanted to capture in story form. And living the experience
meant that I had something real to say about the topic.
As for who the book is for, I have recently created a pretty specific reader avatar, which is the
group I think will resonate with the book most–however, anyone can read it and be inspired. So
the target audience I’ve defined is between 21 and 23, she’s a fresh graduate who’s passionate
about job satisfaction, and she’s a hopeless romantic.
Seun: Are you scared that people won’t like your book?
Ifeoma: Not really, because the first person I wrote for was me, and I love it. But omo readers can be
brutal when they don’t like a book that’s why I’m investing so heavily to ensure that if they have
issues, it will not be with something that could be avoided, like plotholes or unrealistic
characters. I think that’s why people look down on self-published books because they don’t think
they will be as good. But even when you adjust for all that, you can never be completely insured
against human perception. Whether or not someone enjoys a story will depend on many things
that have nothing to do with the book itself. I’m speaking too much English now, but my answer
is no. What I’m scared of, though, is my parents or family members reading it and having
complete access to my thoughts. Gosh. I’m already cringing.
Seun: Did you always want to be a writer?
Ifeoma: It’s hard to say because when I was younger, I remember writing stories, but I wasn’t writing
them seriously. Then, I used to read a lot of Enid Blyton books and stories about white children,
so that’s what I would write. I don’t think I seriously considered a writing career until I wrote the
first draft of Away in Bliss.
Seun: What do you do when you’re not writing?
Ifeoma: I’m always doing some form of shopping, whether it’s buying something or window shopping or
thinking about shopping. I’m obsessed with fashion, and I like to think that in another life, I
could be an influencer, even though I hate the thought of being in the public eye like that. But
unfortunately, I don’t have unlimited funds to indulge in this habit, so I’m also always watching
something on Netflix or Prime. Then on Wednesdays, I’m listening to ISWIS podcast.
Seun: If you don’t like being visible, why didn’t you consider writing under a pseudonym?
Ifeoma: Because I want everyone to know it’s me, which is ironic, yes. And how can I sell my market if
people don’t know who I am? And I don’t just mean to readers. Considering that I’ll be my own
publisher, I could use it to demonstrate my business acumen as well. It’s all strategic, really.
Seun: What’s your favourite thing to watch?
Ifeoma: I’m obsessed with anything about women. Women’s friendships, women entrepreneurs, women
psychopaths or criminals etc.
Seun: Is writing a novel as fun as it seems?
Ifeoma: Absolutely not. I’m kidding, well, not really. My first draft was fun because I was just excited to
pen the story but guess what? It was only 20,000 words, and a novel in my genre is 60,000-
70,000! That meant I had to pull the remaining words out of thin air, and that was not fun for me
because I’m an underwriter, so that was a very painful task. Then there’s editing; gosh, what a
nightmare. There are so many rounds of editing.
Seun: Most people hate book adaptations. Where do you stand?
Ifeoma: I agree mostly, with the exception of three; The Fault in our Stars, The Smart Money Woman and
Half of a Yellow Sun. Half of a Yellow Sun is a movie I’m head over heels in love with.
Seun: Do you have a favourite quote?
Ifeoma: I do, and I can’t remember it word for word, but it’s by Jola Ayeye, one of the co-hosts of ISWIS.
I heard it on one of the episodes, and it was about your life being completely your own to do
whatever with no matter what your parents or anybody else think. This is a prominent theme of
Away in Bliss as well.
About the Interviewer: Seun Olubameru is a lawyer and travel content creator.